Margaret Meehan’s work addresses monstrosity as a kind of otherness that goes beyond dualities and instead exists in shades of gray, a slippage between the categories that society defines us by and an acknowledgement of the horror that lives within each of us. Born in the 1970s and educated in the 1990s during the emergence of third-wave feminism and the Riot Grrrl movement, she is drawn to cycles of representation—in particular, the tendency for women and perceived anomalies to be depicted